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The links in this poem leave primordialmindpress.com Are we collectively brave enough to polarize our thoughts on joy and pleasure, love and peace?

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Nini Tantrini sitting in Taj cafe

in Bombay on the way to Puna, lay

down to meditate.

Saw Osho in sheets of light,

very bright clear light

a seventh dimensional sight. (This is what he said:)

It is the resonance that changes the DNA,

set to vibrating with the death messages of the parents.

All the karmas left behind to dine

on the descendants' karmic thick

and gene pool mix

of fools' attached.

The resonance is guided by beat,

but most of all frequency and pitch,

now here's the hitch,

watch my four feet.

I'll elevate you on motion and mind,

Rime and loss a gain of time!

For the notes correspond to the natal charts,

It's how light and magnetic resonance pattern your own mind.

 

Nini knew it was unnecessary to travel to Pune to unravel

the mysteries of sound!

Music all around!

Within the cellular pools of atoms,

within the spin of planets

sending their pulsed rays

to the chakra crown and base

and all the conditioned

and unconditioned spaces in between.

Buy frequencies above

and below the audible range the goal.

The upper reaches preach

the stratospheres of enlightened years, stretching out to Golden Age. PDF File

We've laid the stage

to live forever in horses' books,

now its time to look

beyond rhyme to find

the motions of molecules

polarized in the face of magnetic poles to elevate all:

Tall, ancient, honorable, full,

For when you live forever you cannot earn negative karmas.

They're what make the fall into graves

the wormtime paved...

(clairaudience interrupted by waiter's stares,

he wonders how long Nini plans

to occupy her chairs.

Find safety lair

free from clinging greed

and heed

our warnings for the next year.)

By death's final payments,

a cement gravestone,

instead of elevating tones

to awaken all.

For in light bodies reconnected to the neural boss,

We do not worship sacrifice and loss.

Now toss  these words under motion,  under elements and colors streaming out to reunite our own selves  under far stars and Sun rejoined to Moon: Coming Soon! Now noon

awaits an ancient date and Starseed  non creed and new reason, non hierarchical, swell waves.

We horses thrive but need your tender touch, some pears, grapes, raisins and apple season finds leaves leaving trees against October heat.

All sweet, all creations of your own vast and compassionate mind.

We're fine,

It's you that needs the better jump vest! For we horses 3 were born to fly

Sky Dancers showing the world in words and rhyme how not to die!

Are the polar places dated and fated to change? The current tilt of Earth's axis, at 23.4 degrees, finds the Spring and Fall Equinoxes changing over time. During a great precession of the equinox of 26,000 years, there are several polar stars, such as Lyra's Vega, 15,000 BC, with its multiple-dimensional seven tone system; to today's Pole Star, Polaris.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  How many times can she use the same rhyme, complains Clarity, going nowhere,

Change it with sound.

It's so simple, it's so so profound.

All around us

The vibrations of earthquakes against our feet,

Wile the low base tones,

Basic,

Under rhythm under rhyme,

Under elephants and time,

For Comet soon into view,

and coming back to you,

Set in place a great stage race, the moon:: ::

"Total Cacophony, here," reads the Sound Engineer, and he wheels the Gong Wall in place,

The lightning against black sky, the moments brought to lie,

"The humans species [making] its monumental decision to draw the veils of amnesia at birth," quoting Tony Stubbs, "An Ascension Handbook," Oughten House Publications, c. 1944, p. 81.

"...conceiving the poem as a self-developing organism governed by its own principles. This is in keeping with the new metaphysics of mind, in which the object is conceived as an organic creation of the subject." "Princeton Encyclopedia of Poetry and Poetics", edited by Alex Preminger, Princeton University Press, c.1974 p. 638.

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